First, thank you Witch and Other Witch - for helping rein in the crazy. For now, at least.
Then, A.b.'s new post also helped some - because it took me back to thinking about prioritizing - about asking "What do I want to do more than other things?" as a way of answer "Why am I doing this?" (in terms of trailing, I mean).
So, again - Thanks you folks. Y'all are the awesomest women I know.
***
In my classes, I've been trying to teach poetry.
It is traditionally one of the units that comes up against a truckload of resistance.
(Although, this semester, one of my classes is responding much better - much more openly, at least - than the other.)
How does one teach poetry?
Most of my students seem to arrive at poetry with some kind of a bias. The most commonly used adjective to describe poetry in my classes "boring", followed by "confusing", followed by undisguised, unabashed yawning.
Although I can see (and understand) the source of these reactions, I'm saddened when my students see right through this poem by Miller Williams:
So, I've decided to use the idea of "poetry as a story in action".
We shall start by talking about tone and persona in poetry.
Tomorrow, they shall hear Pete Seeger's "Waist Deep in the Big Muddy"
And I'm hoping that this will spark a connection back to "The Things They Carried".
(Ooh! I just thought of the magnificent conversation around 'Nam that we could have if the class engages.)
I've racked my brains and other than showing music videos (as an extension of poetry), can't think of anything else to get them to engage with the poems. Twitter poetry maybe? Or maybe I could sing alound in front for my classes? No, wait, I'm trying to teach, not traumatize. Teach, not traumatize. That is my noble motto.
I'm listening.
***
And on a final note: Trauma.
I can't sleep well anymore. Between my own little crazy and waiting to hear from grad schools, my brain has turned into a sheet of bubble-wrap, being very slowly and deliberately, yet irregularly popped every few minutes.
How is it possible that five of seven schools have sent out some mailers to folks, but not one of these schools has contacted me (with *some*, any news)?
Sighs.
Waiting is the hardest part.
***
On a different note (F sharp, this time) - we're almost through 28 days!
6 days to go, actually. Whee?
Then, A.b.'s new post also helped some - because it took me back to thinking about prioritizing - about asking "What do I want to do more than other things?" as a way of answer "Why am I doing this?" (in terms of trailing, I mean).
So, again - Thanks you folks. Y'all are the awesomest women I know.
***
In my classes, I've been trying to teach poetry.
It is traditionally one of the units that comes up against a truckload of resistance.
(Although, this semester, one of my classes is responding much better - much more openly, at least - than the other.)
How does one teach poetry?
Most of my students seem to arrive at poetry with some kind of a bias. The most commonly used adjective to describe poetry in my classes "boring", followed by "confusing", followed by undisguised, unabashed yawning.
Although I can see (and understand) the source of these reactions, I'm saddened when my students see right through this poem by Miller Williams:
Listen 014
I threw a snowball across the backyard.
My dog ran after it to bring it back.
It broke as it fell, scattering snow over snow.
She stood confused, seeing and smelling nothing.
She searched in widening circles until I called her.
She looked at me and said as clearly in silence as if she had spoken, I know it's here, I'll find it, went back to the center and started the circles again.
I called her two more times before she cameslowly, stopping once to look back.
That was this morning.
I'm sure that she's forgotten.
I've had some trouble putting it out of my mind.
So, I've decided to use the idea of "poetry as a story in action".
We shall start by talking about tone and persona in poetry.
Tomorrow, they shall hear Pete Seeger's "Waist Deep in the Big Muddy"
And I'm hoping that this will spark a connection back to "The Things They Carried".
(Ooh! I just thought of the magnificent conversation around 'Nam that we could have if the class engages.)
I've racked my brains and other than showing music videos (as an extension of poetry), can't think of anything else to get them to engage with the poems. Twitter poetry maybe? Or maybe I could sing alound in front for my classes? No, wait, I'm trying to teach, not traumatize. Teach, not traumatize. That is my noble motto.
So yeah, seriously, how would you do this? How would you introduce poetry in a class? How can you make reluctant freshman engage with the content (or form, even) of a poem?
How?
I'm listening.
***
And on a final note: Trauma.
I can't sleep well anymore. Between my own little crazy and waiting to hear from grad schools, my brain has turned into a sheet of bubble-wrap, being very slowly and deliberately, yet irregularly popped every few minutes.
How is it possible that five of seven schools have sent out some mailers to folks, but not one of these schools has contacted me (with *some*, any news)?
Sighs.
Waiting is the hardest part.
***
On a different note (F sharp, this time) - we're almost through 28 days!
6 days to go, actually. Whee?
1 comment:
about the last bit, I'm glad you started this. I think I've finally managed to get into some blog conversations thanks to your marathon. :)
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